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Stephen Partridge
Stephen Partridge (born 1953) is an English video artist 〔("Union List of Artist Names" ),〕 who studied under David Hall and his career as an artist, academic and researcher, helped to establish video as an art form in the UK.〔("A Century of Artists' Film in Great Britain " ), Exhibition at Tate Britain〕〔("A History of Artists' Film and Video in Britain, 1897-2004" ) David Curtis, (BFI Publishing 2006)〕
==Life and work==
Stephen Partridge attended Maidstone College of Art and the Royal College of Art. He was in the "landmark" video shows of the 1970s including "The Video Show" at the Serpentine in 1975, the "Video Show" at the Tate Gallery London in 1976 (where he exhibited the installation "8x8x8" 〔Diverse Practices: A Critical Reader on British Video Art edited by Julia Knight (University of Luton/Arts Council England, 1996), page 177〕〔The Problematic of Video Art in the Museum 1968-1990 by Cyrus Manasseh (Cambria Press, 2009), pages 25,36, 101-105, 125〕〔("Art Now Lightbox" ), Exhibition at Tate Britain〕), the Paris Biennalle in 1977 and The Kitchen in New York in 1979. During the eighties he exhibited widely and also became interested in works for broadcast television and was commissioned by Channel 4 television to produce "Dialogue for Two Players" in 1984,〔("Dialogue for Two Players " )〕 and "The Sounds of These Words", again for Channel 4 in 1989.〔("Video Art, A Guided Tour " ) Catherine Elwes, (I B Taurus, 2005) page 134〕 The latter work was one of 19 productions for Channel 4 produced by his production company Fields and Frames Productions, under the series title TV Interventions which were designed to intervene in the broadcast schedule. Other commissioned artists included David Hall, Bruce McLean, David Cunningham, Ian Breakwell〔(VIDEO ART: the early years )〕〔( BFI Database )〕
In 1976 he co founded London Video Arts in collaboration with David Critchley, Stuart Marshall, David Hall, Tamara Krikorian and others. This acted as a promotional agency, an artist-led workshop and a distribution service.〔( "A History of Video Art" ) Chris Meigh-Andrews, (Berg 2006), page 56〕 Hall and Partridge left the steering group of LVA in 1979 after a disagreement on future policy over non-selectivity distribution and promotion of artists' works.〔("Reaching Audiences Distribution and Promotion of Alternative Moving Image" ) Julia Knight and
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